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Born: 1964, Pittsburgh, Pennsylvania |
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EDUCATION |
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B.F.A., Edinboro University, 1986 |
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SOLO
EXHIBITIONS |
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2000 |
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Gorney Bravin + Lee, New York, NY; "The Use of Evidence" (25 May – 30 June) |
| 1998 |
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Haines Gallery, San Francisco |
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Studio la Città, Verona, Italy |
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Galerie Schroeder, Köln, Germany |
| 1997 |
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Studio la Città, Verona, Italy |
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Haines Gallery, San Francisco, CA |
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Guerlain Foundation, Les Mesnuls, France |
| 1996 |
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Bravin Post Lee, "Statements Sector," Basel Art Fair, Basel Switzerland. |
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Bravin Post Lee, New York |
| 1995 |
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Studio la Città, Verona, Italy (catalogue). |
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Art Museum of The University of S. Florida, Tampa. "The Use of Evidence". (two person). |
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Haines Gallery, San Francisco, CA. |
| 1994 |
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Bravin Post Lee, New York. November 17 - December 23 |
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Tom Solomon's Garage, Los Angeles. |
| 1993 |
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John Post Lee Gallery, New York. February 4-27 |
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Studio la Città, Verona, Italy (two person). October 2 - November 20 |
| 1992 |
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Thomas Solomon's Garage, Los Angeles. |
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Galerie Nova, Pontresina, Switzerland. |
| 1990 |
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Althea Viafora Gallery, New York. |
| 1989 |
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Mendelson Gallery, Pittsburgh. |
| 1988 |
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Pinta Galleria D'Arte Contemporanea, Genoa, Italy. |
| 1987 |
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Mendelson Galley, Pittsburgh. |
| 1986 |
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Mendelson Gallery, Pittsburgh. |
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GROUP
EXHIBITIONS |
| 2000 |
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Galerie Lucien Durand Le Gaillard, Paris, France; Carte blanche à Hélène de Franchis, 30 ans de galerie Studio La Città, Verona (It.). (Feb.-March) |
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Torre Avogadro, Lumezzane (Brescia) (8 July – 20 Aug.); traveling Villa Brunati, Desenzano |
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(Brescia-Lake Garda)(Sept.), Fortress of S. Giorgio, Orzinuovi (Brescia)(Oct.), Church of S. Antonio, Breno (Valcamonica)(Nov.) |
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South Eastern Center for Contemporary Arts, (SECCA), Winston-Salem, NC; “Life Cycles”
(18 Feb. – 21 May), curated by Douglas Bohr. |
| 1999 |
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Gorney Bravin + Lee, New York, NY; “Gallery Artists” |
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Studio La Città, Verona, Italy; 30th Anniversary, “Morbida Quiete e La Notte”. (cat.) |
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Kemper Museum of Contemporary Art, Kansas City, MO; “Abstract Painting Once removed”. |
| 1998 |
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Contemporary Arts Museum, Houston, TX. “Abstract Painting, Once Removed”, (Oct. 3 – Dec. 6).
curated by Dana Friis-Hansen |
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Bravin Post Lee Gallery, New York, February |
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Haines Gallery, San Francisco, CA; “Landscape & Memory” (28 May – 4 June) |
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Delaware Art Museum, Wilmington, DE; “Interior Landscapes” from the collection of Cliff Diver
(21 April – 12 July). (cat.) |
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Yearsley Spring Gallery, Philadelphia, PA, “Drawings” |
| 1997 |
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The Work Space, New York
Studio La Città, Verona, Italy; “Onomatopoeia” |
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Haines Gallery, San Francisco, CA; “Obsession + Devotion” (15 Oct.-15 Nov.); 10th Anniversary. |
| 1996 |
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D’Arte Moderna e Contemporanea Di Trento, The Collection of Panza di Biumo” (In the
Palazzo dell’ Albere).
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"Painting in An Expanding Field," Ursan Gallery, Bennington, VT, curated by Saul Ostrow. |
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Galerie Zenit, Heineskjerning Og Zenit, Frederiksberg, Denmark. |
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Studio la Città, Verona, Italy. |
| 1995 |
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"La Belle et La Bête," Musée d'art moderne de la Ville de Paris, curated by Lynn Gumpert. (catalogue). |
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"Up The Garden Path," The Work Space, New York, curated by Lesley Heller. |
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"From Nature," Haines Gallery, San Francisco, CA.(May 4 - June 17) |
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"A Drawing," Bravin Post Lee, New York. |
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"Recent Work," Haines Gallery, San Francisco, CA. |
| 1994 |
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"60 Drawings from Art Hotel," The Drawing Room, Amsterdam. |
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"Possible Things," Bardamu Gallery, New York, curated by Vik Muniz. |
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"Critical Mass", Yale University, New Haven, CT and The McKinney Ave Contemporary, Dallas TX curated by Charles Long. (Dec. 5 – Dec. 21) |
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"Inner Circle," Tom Solomon's Garage, Los Angeles. |
| 1993 |
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"Between," John Post Lee Gallery, New York. |
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"Windows and Doors," Holly Solomon, New York. |
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"Hyper-Cathexis," Stux Gallery, New York. |
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"Major Medical," City Without Walls, Newark, New Jersey. |
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"Painting as Paradigm," Stark Gallery, New York. |
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"Group Show," Margulies/Taplin, Miami, Florida. |
| 1992 |
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"New Address," Muranushi-Lederman, New York. |
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"The Hole Is Part of The Sum," Michael Klein Gallery, NY. |
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"Collector's Choice," Ruth Vered Gallery, East Hampton, NY. |
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"10 Steps," Horodner Romley Gallery, curated by Saul Ostrow. |
| 1991 |
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"Ornament," John Post Lee Gallery, New York. |
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"Casual Ceremony," White Columns, New York. (Dec. 13 – Jan. 13) |
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"James Hyde, Emil Lukas, Vik Muniz," Mendelson Gallery, PA. |
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"Benefit Show", White Columns, New York. |
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"A Question of Paint," Hallwalls Contemporary Arts Center, Buffalo. |
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"Works on Paper," Paula Allen Gallery, New York. |
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"Small Works," 80 Washington Square East Gallery, NY |
| 1989 |
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"Selection 46," Drawing Center, New York. |
| 1988 |
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Mendelson Gallery, Pittsburgh, Pennsylvania. |
| 1987 |
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Pinta Galleria D'Arte, Genova, Italy. |
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"New Attitudes: Recent Pennsylvania Abstraction," Southern Allegheny Museum, Pittsburgh, PA. |
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"Pittsburgh Now 8 Artists," Three Rivers Arts and Carnegie Museum, curated by John Caldwell. |
| 1985 |
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"Spring Exhibition," Erie Art Museum. |
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BIBLOGRAPHY |
| 1999 |
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Friis-Hansen, Dana. “Abstract Painting Once Removed,” Contemporary Arts Museum, Houston, TX |
| 1998 |
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Bertoni, Mario. “Emil Lukas” catalogue for Studio la Città, Verona, 18 April. |
| 1997 |
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Baker, Kenneth. ARTnews; Emil Lukas, May. Illustr. p.163 |
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Koplos, Janet. Art in America; Emil Lukas at Bravin Post Lee, Feb., Illustr. |
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Bonetti, David. San Francisco Examiner; Biological Approach to Art, Feb., Illustr |
| 1996 |
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Meneghelli, Luigi. L’Arena, Cultura & Societa, Tanto Per Farsi Un’Idea Dell’Arte Actuale, Nov. 6, p.35 |
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Scarabelli, Luca, Quaderno d’Arte Contemporanea; Emil Lukas, Vegitali Ignoti, Winter 1995-1996 |
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Bauer, Julia The Express Times; The Local Artist Discovers in Realism The Natural Way-- In Suburbia, (front page) Monday, March 25. |
| 1995 |
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Baker, Kenneth. San Francisco Chronicle; Things Stack Up at Haines, September 16. |
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Gumpert, Lynne. Musée d'art moderne de la ville de Paris; La Belle et La Bête (cat.) Fall. |
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Meneghelli, Luigi. "Il volto segreto della scultura" (“Sculpture's Secret Force,” catalogue essay accompanying a one-person exhibition at Studio la Città, Verona, Italy, in English and Italian) April.
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Long, Charles. "Critical Mass," (catalogue essay accompanying a group exhibition at Yale University,
New Haven CT and The McKinney Avenue Contemporary, Dallas TX) Winter. |
| 1994 |
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Levin, Kim. The Village Voice; Voice Choice: Emil Lukas, Dec. 6.
Cohen, Michael. Flash Art; Emil Lukas, Summer |
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Frank, Peter. Calendar, Picks of The Week, May. |
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Kandel, Susan. The L.A. Times; Lukas' Alternative Scenario Playhouse, Friday, May 27. |
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Choon, Angela. Art & Antiques; Openings: Art that Springs from New Terrain, May. |
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Deggiovanni, Piero, Tema Celeste; Luca Caccioni/Emil Lukas, November. |
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Levin, Kim. The Village Voice; Voice Choice: Emil Lukas, February 17. |
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Lohaus, Stella. Forum International, (review), Spring. |
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Lohaus, Stella. Titolo, (review), Winter, 1993-94. |
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Seward, Keith. ArtForum, (review), May. |
| 1992 |
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Braff, Phyllis. The New York Times; 7 Artists with Bright Futures, September. |
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Fabulierende Vielschiechtigkeit Ausstellungen in Bundner Galerien, Mittwoch, March. |
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Faust, Gretchen. Arts Magazine; Casual Ceremony (review), March. |
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Kandel, Susan. The L.A. Times; Unraveling a Mystery at Thomas Solomon's Garage, June 25. |
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Kuoni, Gisela. Sundner Zeitung; Emil Lukas, die Entstehung einer Ausstellung, March. |
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Engadiner Post; Skulpturen und Arbeiten auf Papier, March. |
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Smith, Roberta. The New York Times; Casual Ceremony, White Columns, January 3. |